There are some great books I’ve been reading (albeit slowly, in Slovene) that I’d like to share with you, about Slovenian popular folk music, and more specifically Slavko and Vilko Avsenik who started and shaped the entire genre of ‘narodnozabavna glasba’ (Slovene for popular folk music) or ‘Oberkrainer’ (German name of the genre derived from […]
It’s probably evident that I’m a fan of Andrej Toplišek’s work, which also extends into educational content for accordionists in the Slovenian/Oberkrain style. Released by Alpengold Harmonikas, “Stücke für Akkordeonprofis” which translates to “Songs for accordion professionals” is aimed at accordionists who want to improve their skills, to be able to play more technical songs.
Vilko & Slavko Avsenik’s ensemble from Slovenia were the creators of the ‘Oberkrainer’ sound and genre which took off in the alpine parts of central Europe. A typical band in this genre, following Avseniki, has three main parts: the vocal, melodic and rhythm sections. The rhythm section in the band is usually made up of
The sound of Slavko and Vilko Avsenik’s ensemble (Slo: Ansambel bratov Avsenik, Ger: Slavko Avsenik und seine Original Oberkrainer) had many moving parts that contributed to the legendary sound which evolved throughout their career spanning from the 1950s to the 1990s. Technique, band members, advancements in sound engineering, arrangements by Vilko Avsenik and combinations of
In 2013 I wrote about my experience with Lanzinger Harmonikas. I provided screenshots of emails and timelines, but it was lengthy and opinionated. After the passing of the company’s founder I reflected and removed those articles. In my career so far as a software developer, I have learnt the value of transparency and honesty with
Slovenian/Oberkrainer style accordion rhythm is a technique used by Slovenian and Austrian alpine style accordionists to complete the rhythm section in a trio or quintet, by playing chords repeatedly as semiquavers in polkas, or quavers in waltzes. In Slovenian it’s known as ‘tresenje‘ (shaking), for its ‘shaking’ sound, and ‘spremljavo‘ (accompaniment). In German it’s called