Slovenian popular folk ‘Oberkrainer’ vs. American-Slovenian ‘Cleveland style’

If you’re new to Slovenian popular folk music (from Slovenia) or American-Slovenian style polkas (from North America), you might get confused between the two (I sure did), so in this post I try to clear it up with the sort of information I’d love to have had available several years ago.

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Boris Frank – Ali že igraš #3 [Book scan]

In the 1960s-1970s several editions of sheet music books with Boris Frank’s compositions with lyrics were published under the title “Ali že igraš” (Are you already playing). This 3rd edition contains the following songs, all arrangements of traditional Slovenian folk songs: “Hiš’ca ob cest’ stoji”, “Uspavanka”, “Vandrovček“, “Tam na vrtni gredi“. All songs were released

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The best books on Slovenian popular folk music and Oberkrainer music

There are some great books I’ve been reading (albeit slowly, in Slovene) that I’d like to share with you, about Slovenian popular folk music, and more specifically Slavko and Vilko Avsenik who started and shaped the entire genre of ‘narodnozabavna glasba’ (Slovene for popular folk music) or ‘Oberkrainer’ (German name of the genre derived from

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Boris Frank – Ali že igraš #1 [Book scan]

In the 1960s-1970s several editions of sheet music books with Boris Frank’s compositions with lyrics were published under the title “Ali že igraš” (Are you playing yet). Boris Frank was a popular name in the early days of Oberkrainer music in Slovenia in the 1950s-1960s. One of the few books that I have in my

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Boris Frank – Ali že igraš #9 [Book scan]

In the 1960s-1970s several editions of sheet music books with Boris Frank’s compositions with lyrics were published in Slovenia under the title “Ali že igraš”. One of the few that I have in my possession is a 9th edition which contain the songs “V zidanici“, “Ura“, “Vencek narodnih” (Slovenian folk songs arranged by Boris Frank),

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Accordions played by Slavko Avsenik

The sound of Slavko and Vilko Avsenik’s ensemble (Slo: Ansambel bratov Avsenik, Ger: Slavko Avsenik und seine Original Oberkrainer) had many moving parts that contributed to the legendary sound which evolved throughout their career spanning from the 1950s to the 1990s. Technique, band members, advancements in sound engineering, arrangements by Vilko Avsenik and combinations of

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