Uncovering information on the rare O.R.A Alpin piano accordions

Last year I purchased an intriguing accordion from willhaben.at, a second hand Alpin IIIC by O.R.A Castelfidardo, whose only label on the instruments reads “Harmonikafabrik O.R.A”. (Shoutout to the seller Roman, who was very transparent and helpful during the sale, and my friend Klemens who visited Roman and provided videos for me 🙋‍♂️👋.) Several things appealed to me: – its light weight for a 120 bass accordion with cassotto,– its age (estimated around 1980s or early 1990s), – unusually traditional design that resembles more of a Steirische harmonika (curved ends of the keyboard),– unusually lighter colour of an alpine piano accordion, – slightly wet musette and a loud Oberkrainer sound, […]

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Slovenian ‘Oberkrainer’ accordion rhythm technique for waltzes

For a brief historical explanation of the technique and a video on how to use this technique in polkas, click on the article below. Waltzes in the Oberkrainer accordion rhythm technique (Slo: tresanje or spremljavo, Ger: begleitung) involve playing chords in quavers (eighth notes) repeatedly and smoothly in 3/4 time, with no bellow shaking. Below is a video and exercise sheet PDF which I hope might assist some people in learning and improving their technique. Some tips to help you on your journey:

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Accordions played by Slavko Avsenik

The sound of Slavko and Vilko Avsenik’s ensemble (Slo: Ansambel bratov Avsenik, Ger: Slavko Avsenik und seine Original Oberkrainer) had many moving parts that contributed to the legendary sound which evolved throughout their career spanning from the 1950s to the 1990s. Technique, band members, advancements in sound engineering, arrangements by Vilko Avsenik and combinations of instruments evolved with each album and each decade. This includes the evolution of each accordion that Slavko Avsenik recorded and performed with.

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What I learnt from a bad experience with a Tyrolean accordion company

In 2013 I wrote about my experience with Lanzinger Harmonikas. I provided screenshots of emails and timelines, but it was lengthy and opinionated. After the passing of the company’s founder I reflected and removed those articles. In my career so far as a software developer, I have learnt the value of transparency and honesty with clients. This has a great impact on a company’s reputation and clients’ trust in a company. Even in the face of challenges. Hoping that Lanzinger Harmonikas and other companies can learn from their mistakes, and for the benefit of people in the market for a new accordion, I’d like to offer a clear summary of

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Slovenian ‘Oberkrainer’ accordion rhythm technique for polkas

Slovenian/Oberkrainer style accordion rhythm is a technique used by Slovenian and Austrian alpine style accordionists to complete the rhythm section in a trio or quintet, by playing chords repeatedly as semiquavers in polkas, or quavers in waltzes. In Slovenian it’s known as ‘tresenje‘ (shaking), for its ‘shaking’ sound, and ‘spremljavo‘ (accompaniment). In German it’s called ‘Oberkrainer begleitung‘ (Oberkrainer accompaniment). In trios with vocals, or quintets with a trumpet and clarinet, the accordion never only sticks to melody or rhythm, but fluidly alternates between melody and rhythm.

Slovenian ‘Oberkrainer’ accordion rhythm technique for polkas 続きを読む »

Slovenian diatonic button accordion (Steirische harmonika): how to start

This is a list of resources I’ve compiled for learning and finding a Slovenian or Austrian diatonic button accordion, targeted to those who live outside of central Europe, where it can be difficult to find the resources and assistance to get started with it. I’ve been asked a few times for help on how to get started, what instrument to get and where to buy one, so I hope this can assist others wanting to take up this instrument.

Slovenian diatonic button accordion (Steirische harmonika): how to start 続きを読む »

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