Common accordion runs in Oberkrainer and Alpine style waltzes – 12 pages [Exercise sheets]

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Last year I compiled a collection of common accordion runs in Oberkrainer and Alpine Folk Music style polkas, into a 12 page PDF (linked here). It was about time I followed it up with another collection of exercises, this time going through the most common accordion runs in waltzes within the Oberkrainer and Alpine Folk Music style, in every major key, including bass runs and an example of treble fingering that most people should find useful. These sheets serve as valuable practice exercises or handy references, and are not the same as fingering for scales. Feel free to use them to enhance your skills (eg. a daily or weekly routine) […]

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Common accordion runs in Oberkrainer style polkas – 12 pages [Exercise sheets]

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If you’re familiar with Oberkrainer or Alpine style polkas, you’ve probably noticed the abundance of accordion runs that can be easily learned and customized. In this downloadable exercise sheet, I have compiled some of the most commonly used accordion treble runs in every major key. I’ve included examples of the fingering I like to use, as well as basic bass runs. These sheets serve as valuable practice exercises or handy references when learning songs by ear. Feel free to use them to enhance your skills or as a helpful resource for perfecting your repertoire. If you liked this, let me know in the comments below (any ideas and feedback are

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Slovenian ‘Oberkrainer’ accordion rhythm technique for polkas

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Slovenian/Oberkrainer style accordion rhythm is a technique used by Slovenian and Austrian alpine style accordionists to complete the rhythm section in a trio or quintet, by playing chords repeatedly as semiquavers in polkas, or quavers in waltzes. In Slovenian it’s known as ‘tresenje‘ (shaking), for its ‘shaking’ sound, and ‘spremljavo‘ (accompaniment). In German it’s called ‘Oberkrainer begleitung‘ (Oberkrainer accompaniment). In trios with vocals, or quintets with a trumpet and clarinet, the accordion never only sticks to melody or rhythm, but fluidly alternates between melody and rhythm.

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