Eisschützen Polka – Ice Stock Sport Polka (Austrian folk song) [Sheet music] [Tutorial video]

This is a folk song from the Pinzgau region of the Austrian state of Salzburg, which translates to “Ice Stock Sport Polka”, and is also known by the name “Pinzgauer Eisschützen Polka” which means “Ice Stock Sport Polka from Pinzgau”. “Eisschützen” refers to Ice Stock Sport, also referred to as “Bavarian Curling” or “Eisstockschießen”, and is a winter sport practiced in Austria, Germany, and the northern Italian region of Südtirol or Trentino-Alto Adige. It is an older folk song with no named composer and is commonly played in Austria, Bavaria and South Tyrol, particularly on the Styrian Diatonic Button Accordion (Steirische Harmonika) as well as Alpine Folk Dance Music ensembles […]

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Schützenfest (H. Färber) [Sheet music] [Tutorial video]

“Schützenfest” is an instrumental polka which translates to “Marksmen’s festival“, and was written by Helmut Färber and recorded by Die Mooskirchner from Austria in 1992. Färber is a musician and vocalist who contributed compositions, vocals and clarinet playing for Die Mooskirchner for many years, and wrote many hits which are regularly played by Oberkrainer and Volksmusik groups in Austria and southern parts of Germany including “In Den Städtchen” and “Lass die Tränen”. This polka caught my attention when Nicolas Gregorič, a very talented Slovenian-Canadian baritone and guitar player told me about this song, and asked to do a collaboration with it several years ago. It’s a very energetic polka which

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Rosi Polka – Hey Rosi (F. Gressenberger) [Sheet music] [Tutorial video]

“Rosi Polka” or “Hey Rosi” is an energetic instrumental polka featuring just 2 sung words: “Hey Rosi!” and some challenging keyboard runs. It was written by Felix Gressenberger from Austria, who recorded this song with Die 5 Rosentaler in the late 1980s, and with Friedl Lazarus und seine Original Mooskirchner (also known as Mooskirchner Quintett) in the 1990s. This polka has become a staple of Austrian folk music and Oberkrainer music groups’ repertoires, covered in a variety of folk styles such as Echte Volksmusik through to Oberkrainer style trios and quintetts, and performed on either chromatic button accordion, diatonic button accordion (Steirische Harmonika) or the piano accordion. The song continues

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Musikfest (G. Schlatzer) [Sheet music]

“Musikfest” (German for “Music Festival”) is an upbeat and straightforward melodic polka from around 1990, written by Günther Schlatzer and performed by “Grazer Spatzen”, a popular-folk music and Oberkrainer ensemble from Austria (1983-2018). Grazer Spatzen are particularly known for their remarkably high energy polkas, high quality instrumentalists, and amazing baritone playing by Wolfgang Sorger (who wrote a popular solo for the baritone “Bariton Lechner”). This instrumental was recorded at a very fast 166bpm, although I suggest anything starting at 145bpm is suitable. Sheet music 📝 Sheet music pdf (B♭ key)

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Schneewalzer – Snežni valček – Snow waltz (T. Koschat) [Sheet music] [Tutorial video]

Schneewalzer, known as ‘Snow waltz’ in English or ‘Snežni valček’ in Slovenian, was written by Thomas Koschat (1845-1914) from Klagenfurt (Slo: Celovec), Austria. Koschat was an accomplished musician, composer and vocalist whose achievements include working in the Vienna State Opera and touring Europe and America with his vocal group which specialised in folk songs from Carinthia (Kärnten), the greater region and state which Koschat hailed from. Snow Waltz has become a staple in most accordionists’ repertoires around the world, regardless of the accordionist’s preferred genre or background. This waltz is played by orchestras, brass ensembles, Alpine trios, Oberkrainer quintetts, and solo accordionists. There are several versions of lyrics, in different

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Dem Land Tirol die Treue (F. Pedarnig) [Sheet music]

This Austrian march translates to “Loyalty to Tyrol.” It was composed in the 1950s by Florian Pedarnig, with lyrics by his brother Josef Pedarnig. Published in 1985, the song has risen to the status of the third most played at the Munich Oktoberfest. It received some controversy due to its lyrics briefly referencing the separation of South Tyrol from Austria. However, the intensity of the controversy is questionable, given the song’s lively and upbeat nature and its popularity at events across Austria and Germany. With lyrics expressing pride and love for the state of Tyrol, it has been widely recorded and performed by various musical groups, including brass bands, Oberkrainer

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